Soooooo… as I hinted last week, I’m going to Walt Disney World this summer.
(Technically, since I’m going at the end of May, it’s this spring. But it’s after Memorial Day so most of us will consider it “summer.”)
At first I thought I liked Disney parks (and other amusement parks) because I liked rides; after I made my first solo trip to Disneyland two years ago I realized that I loved the solo Disney experience.
I am not the first person to discover that exploring the parks on your own can be, to borrow Disney’s favorite word, magical.*
I haven’t visited WDW since I went with my family in high school literally twenty years ago (I was seventeen); it’s changed a lot since then. Unlike Disneyland, which you can do on a morning’s notice, Walt Disney World now invites — if not requires — you to plan your vacation several months in advance.
And they guide you through the process in a way that is — did I use the word magical already? — fascinating.
The first step in the typical WDW vacation planning process is choosing a resort hotel. (This step tends to go hand-in-hand with picking the vacation dates, though it’s kind of a chicken-and-egg thing depending on whether you’re more flexible on dates or more flexible on resorts.)
As of this writing, you have thirty-four resort options. Each with a different theme, a specific price point, and the promise of a certain type of experience.
I picked the Port Orleans Riverside resort (which falls in the middle of the price points) because it promised me the experience of elegance combined with nature; I paid $10 extra per night for a garden-view room, and I am already fantasizing about the walking trails.
Port Orleans Riverside is also one of the quieter resorts (it literally has “quiet pools” that are separate from the big waterslide pool where you take the kids, which is in turn very far away from the hotel rooms), so it also promises the experience of being able to retreat and relax after the excitement of the parks.
And, to ensure I get to fulfill that promise of retreating and relaxing and rejuvenating myself amidst all this elegance and nature, I booked a stay long enough to allow me to enjoy both the parks and the resort.
So Disney makes even more money off my visit.**
Once you take care of that hotel booking, you get to start making dining reservations. You can make these reservations 180 days in advance. This is where the typical vacationer starts heading down one of four paths:
- “Nope, we’re bringing our own food into the park” (a perfectly viable option)
- “Whatever, we’ll figure it out when we get there” (also viable, but it means you and your traveling party won’t be able to get into any of the most popular restaurants)
- “Wow, there are a lot of restaurants, this Be Our Guest place sounds good, let’s just pick that one” (totally acceptable)
- “I AM GOING TO LOOK AT EVERY RESTAURANT AND EVERY MENU BEFORE I DECIDE” (that one’s me)
Notice how each person and/or traveling party is beginning to refine the experience they want.
Also pay attention to the way that Disney is providing its guests with entertainment — because a lot of us consider shopping and planning and thinking about where we might like to eat entertainment — a full six months before we set foot on resort property.
This entertainment, in the form of choice-making and experience-refinement, proceeds at regular intervals. At 60 days out, resort guests can begin selecting FastPasses (to get a shorter wait on certain rides). Guests that want the best options can set their alarms to 7 a.m. Eastern on their 60-day mark, so they can book at the first possible moment. All of this is exciting and novel and full of possibility.
And then the customized MagicBands arrive. In a beautiful box, in the mail.
And then it’s close enough to your vacation that you can contact your resort to request the individual room or block of rooms you want, if you’re so far down the mouse hole that you’ve researched individual rooms. (That is also me. I am going to make that call. Apparently they try to honor as many requests as possible.)
And during all of this time you’ve probably been buying special clothes to wear on your trip or thinking about the souvenirs you might buy on your trip or drooling over photos of donuts and Dole Whips on Instagram. Maybe you just rewatched The Princess and the Frog because Port Orleans Riverside is Princess and the Frog-themed and you want to make sure to catch all the visual references. Maybe you’re going to watch James Cameron’s Avatar for the first time because you want to ride Flight of Passage.
By the time you make your trip, you’ve already been experiencing your Disney vacation for months.
Sooooo…. what does any of this have to do with our creative work?
That kind of tweet serves four purposes:
- It presents an honest depiction of what it takes to draft a novel.
- It encourages other writers who might be considering drafting a novel.
- It begins to prepare readers for the experience they might get with this particular novel. This is a book for people who know what a tetromino is (or who are willing to look it up).
- It gets those readers excited about the possibility of having that experience with this novel.
Not everybody is going to be part of your readership or audience, just like not everybody is going to enjoy a week at a Disney resort.
But for those people who are part of your audience, well… let’s just say that I am currently studying the Disney method of bringing you into the experience months before the experience actually begins.***
Because I know I’ll learn something from it. ❤️
*One of the reasons I like going to Disney parks alone is because it is one of the few experiences that feels like the type of immersive exploration you get to do in video games. If you want to wander down some path and see where it leads, you can. If you want to follow the fastest route to the scariest ride first, you can. If you want to sit and enjoy the sensory detail, you can. (You could do a lot of this at any standard nature path for free, but those tend not to have rides. Or soundtracks. Or detailed walkthroughs with six pages of hints and secrets.)
**Arguably Disney would have made just the same amount of money whether I had booked a four-night stay or a six-night stay; they could have sold those other two nights to someone else, after all.
***Yes, I know that Disney is not the only entity to use this technique. Every author with a cover reveal, every movie with a cast reveal and then a poster reveal and then a trailer, etc. etc. etc. does this. But Disney does it exceptionally well.