So… I am pretty sure I won’t finish MYSTERY BOOK by the end of the year.
First because I followed the Lee Child method of letting the characters tell me where they wanted to go next, which unlocked a new subplot (which is a good thing because I really wanted this book to be closer to 70K words than 50K).
Second because there have been several days in which I’ve chosen to prioritize rest over novel-writing—which actually means I’ve chosen to prioritize other stuff, like client assignments and filling in as a piano accompanist and doing community volunteer things, and then in the time left over I’ve chosen to prioritize rest.
Which, part of me is all “this is the time of year in which people are asked to do a bunch of extra stuff, and here you are doing it, and it’s good to be part of the community,” and the other part is “I have written so many Lifehacker posts about the ways in which our priorities reveal our values, so does that mean I don’t value my MYSTERY BOOK draft?”
And then I remind myself that it took nine months to draft the 90,000 words in The Biographies of Ordinary People Volume 1, and another nine months to draft the 90,000 words in The Biographies of Ordinary People Volume 2, and I’ve been working on MYSTERY BOOK since October 1 and I’ve already got 30K good words. (I had closer to 40K words at one point, and then I chucked a bunch of them out because they led the characters into a corner and then the characters stopped wanting to do things and then I had to open a new doc and paste in only the words I wanted to keep and memory wipe all of the corner-path words from my characters’ heads so they could start making choices again.)
So maybe now really is the time to prioritize holiday caroling at the community center, because MOST WONDERFUL TIME OF YEAR and etc.
But I’ve also got this January writing retreat hanging over me, and although the absolutely eminently sensible thing to do would be to WORK ON THE MYSTERY BOOK DURING THE RETREAT, since the whole point of the thing is to “dive deep into your creative work” and “focus on your manuscript,” the event ends with the opportunity to pitch a bunch of agents.
Which means I feel like I should be in a position to show them an entire finished draft, instead of saying “I’m still working on this.”
Except we’re also going to be workshopping our manuscripts during the retreat, so even if I had a complete draft I’d probably want to rework it after it went through the workshop process. I’m feeling a lot of confusion and stress about this whole “end the experience with an agent pitch” thing, and maybe I should just email the organizers and ask whether we’re supposed to pitch finished work or the stuff we’ve been workshopping for the past week.
I still feel like MYSTERY BOOK is the exact right project for me to be working on right now, because every day that I don’t get to jump into the draft is a huge bummer. (When I was writing that PORTAL FANTASY DISASTER, there was a point at which every day I managed to avoid working on the draft was a relief.)
But I’m pretty sure it won’t be done by the end of the year. ❤️